Just finished a Spider Solitaire game. It must have taken at
least an hour. Leaning over a computer so long makes my back hurt. But, hey, I
finished the damn thing, and once you get into a Spider Solitaire game, you
have only two choices: beat it, or start another game.
It’s a numbing way to spend a Sunday evening. The girl of my
dreams is upstairs watching football. She has become an NFL junkie. I can’t eat
that much popcorn.
The day began well enough. Sunday Mass, then to Stafford’s
for their marvelous Sunday brunch. After which I promised her a surprise. Polly
loves surprises. Keeps asking questions, looking for a hint. I don’t budge.
Just grin and say, “You’ll see.”
Stafford’s is closed. Breakfast only at this time of the
year. We go to Pallette Bistro, which lets you make your own Bloody Mary. Back
on track, we talk some politics, prompted by the church bulletin, which reminds
the faithful that good citizens always vote. Still no hints from me. She’s like
a college girl on a date. I love it.
About twenty minutes drive in the Autumn countryside, and I
turn onto a driveway that leads to a charming farmhouse. It’s obviously a
working farm. Chickens, horses, a big red barn plus three or four assorted
outbuildings. Everything as neat, clean and untidy as country living requires.
One knock on the front door is enough to bring Doug Melvin
and his wife Carol, smiling to greet us. Introductions all around. Polly still
doesn’t know the surprise.
It only takes a minute. Doug leads us through the house,
identifying the many paintings and other works of artistic skill that adorn the
walls. All the while, we are bantering about our mutual enthusiasm for the
Spartans of Michigan State. Doug and Carol went down to East Lansing for the
Big Game yesterday. We couch potatoed on the fifty yard line.
Portraits, landscapes, a couple of slick, professionally
designed and constructed soap box derby carts, even a small painting done with
Q tips, merited oos and ahhs from my date. Soon enough, Doug was showing us the barn, a magnificent
structure built exactly as the red barns of the nineteenth and twentieth
century were structured. Except his is new.
Then came the piece de resistance – the junk sculpture. Not
quite finished, this one, but a dawning beauty it is. A horse, actually a
Shetland pony, made entirely out of scrap metal. A shovel blade here, an old
pipe there, some rusty scraps of this
and that, somehow bent and shaved and twisted into the recognizable features of
the animal.
Doug has made a number of them, a couple proudly displayed
on the front lawns of upscale suburbanite homes in Bloomfield hills. I can see
why they call it art.
That was most of the surprise. The rest of it was that I
want Polly to pose for a portrait. Doug says he doesn’t do many women’s
portraits. They’re never satisfied, says he. Something about the variance
between image and self image.
I told him I thought he could do something she would be
pleased with. At least it’s worth a try. I have a number of treasured pictures
of my darling wife, one a chalk drawing done by a sidewalk Rembrant in Florida
maybe fifty years ago. I remember that beautiful woman.
Still, she has a charm in these later years that deserves
being memorialized. Her grandchildren call her Pookie. She’s the one who knows
all the birthdays and sends them each a dollar on Valentines Day. I want very
much to give them a portrait of the lady they have known so well and loved so
much.
She’s calling me for dinner. Wants to talk about the
portrait. Sounds like cold feet. We’ll see.
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